Cengage Advantage Books: Audio Basics Review

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Cengage Advantage Books: Audio Basics ReviewThis book was required for my daughter's major in school. She loves the book & I was happy that it came as quick as promised.Cengage Advantage Books: Audio Basics Overview

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Banjo: A Novel Review

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Banjo: A Novel ReviewFormed in 1992, the X Press intends "to become not only Europe's biggest, but the world's number one black book publisher." Judging by their 2000 edition of McKay's Banjo: A Story Without a Plot (1929), we will have much to fear if they succeed.
The X Press edition is rife with errors and silent emendations, beginning with omission of the book's crucial subtitle: "A Story Without a Plot." This edition also omits McKay's dedication ("For Ruthope"), along with the table of contents and the chapter titles. Worse still, the publishers frequently tamper with McKay's prose, changing punctuation, omitting clauses, and converting McKay's carefully constructed dialect passages into Standard English. Consider the book's second paragraph:
X Press: "It sure is," he noted mentally; "the most wonderful bank in the ocean I ever did see."
Original: "It sure is some moh mahvelous job," he noted mentally; "most wonderful bank in the ocean I evah did see."
X Press omits an entire phrase ("some moh mahvelous job"), blurring two separate thoughts into one and making McKay's semicolon seem ungrammatical. Banjo's vernacular "evah" becomes "ever," far from a minor point since the characters in Banjo frequently reflect on the nature of language and slang. The X Press edition does not eliminate all uses of dialect, but it does efface many. For example, there are eighteen silent emendations of dialect on page 252.
For those readers who wish to appreciate Banjo as McKay intended it, I highly recommend the Banjo (Harvest Book) Harcourt Brace edition (1957/1970), which replicates of the original Harper & Brothers 1929 edition down to the pagination. Far from being a definitive modern re-issue, the X Press edition misrepresents McKay's authorial vision, preventing readers from appreciating one of the great novels of the 20th century.Banjo: A Novel Overview

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Talk the Talk: A Dialogue Workshop for Scriptwriters Review

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Talk the Talk: A Dialogue Workshop for Scriptwriters ReviewTalk the Talk is a rare find: a writing book of clear, concrete exercises to improve your writing. This is not a host of self-exploratory essay assignments, these are clear, concise exercises to build up your writing skills, particularly focusing on dramatic dialogue, with a secondary emphasis on structure. It's a good companion to more structurally focused books like McKee's Story, which I always found lacking in help on what to do in a particular moment. It's great to know what should happen on page 33, but what about poor, neglected page 19? How do you turn your scene into something dramatically taut, instead of just a stepping stone in your story's journey? Penniston takes the lead of each chapter to focus on a particular tool in the writer's belt, and then has a host of helpful exercises to develop your skills. Even better, if you are teaching dramatic writing (or a self-directed student), she includes detailed syllabuses to build your own coursework. I've read a number of writing books, and this book is unique.
This is an excellent book for the professional educator or writer alike. Strongly recommended.Talk the Talk: A Dialogue Workshop for Scriptwriters Overview

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