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Swing to Bop: An Oral History of the Transition in Jazz in the 1940s ReviewThis fascinating book presents an oral history of the evolution from the structures of Swing to the innovations of bebop, as it developed through night-long jam sessions, the mentoring of musicians such as Dizzy Gillespie, and the classic recordings of Gillespie, Bird, Monk, Powell, et al.While Gitler describes what is unique about bop, he also shows how its seeds can be found in the much earlier work of jazz musicians, most notably Lester Young's solos within the pared-down arrangements of the Count Basie band.
All of this is done through interview transcriptions with such jazz giants as Dizzy Gillespie, Gerry Mulligan, Zoot Sims, Al Cohn, Jay McShann, Dexter Gordon, and many more. They furnish insights into and first-person accounts of bop's development, along with a collection of anecdotes variously hilarious and poignant. The oral history reads easily, partly because Gitler wisely leaves enough room for each musician to speak, and because he links the narratives together with brief but helpful comments.
An excellent book for either the student of jazz or the casual reader; "Swing to Bop" is a revealing account of the musicians' culture and the improvisations on a form that coalesced into bop. With 12 pages of photographs and a useful index.Swing to Bop: An Oral History of the Transition in Jazz in the 1940s Overview
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